Russian, December 17, 1859 - February 28, 1918) was a Russian landscape painter. He studied from 1877 to 1881 at the Imperial Academy of Arts in Saint Petersburg under Mikhail Konstantinovich Klodt. In 1886, he became a member of the Peredvizhniki (the Wanderers), a group of Russian painters. In 1900, he became a member of the Academy of Arts.  Related Paintings of Nikolay Nikanorovich Dubovskoy :. | In The Village | Brittany Dunes | Seashore. | A little cloud. | Moonlit Night |
Related Artists:
Johann Anton Eismann
(1604-1698) was an Austrian painter. Eismann was born in Salzburg, and was active in Verona and Venice. He painted primarily harbor and some battle genre scenes. He died in Venice in 1698.
John Smart
English Rococo Era Miniaturist, ca.1741-1811,English miniature painter, was born in Norfolk; he became a pupil of Cosway, and is frequently alluded to in his correspondence. This artist was director and vice-president of the Incorporated Society of Artists, and exhibited with that society. He went to India in 1788 and obtained a number of commissions in that country. He settled down in London in 1797 and there died. He married Edith Vere, and is believed to have had only one son, who died in Madras in 1809. He was a man of simple habits, and a member of the Society of Sandemanians. Many of his pencil drawings still exist in the possession of the descendants of a great friend of his only sister. Several of his miniatures are in Australia and belong to a cadet branch of the family. His work is entirely different from that of Cosway, quiet and grey in its colouring, with the flesh tints elaborated with much subtlety and modelled in exquisite fashion. He possessed a great knowledge of anatomy, and his portraits are drawn with greater anatomical accuracy and possess more distinction than those of any miniature painter of his time.
Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.